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Klassiske skuespil før 20. århundrede

Shakespeare's Sublime Pathos

Person, Audience, Language

Udgivet af Taylor & Francis Ltd

Bogdetaljer

  • Hæftet
  • 238 sider
  • Engelsk
ISBN 9781032017952
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Winner of the AEDEAN "Enrique García Díez" Literature Research Award 2023Winner of the European Society for the Study of English Book Award 2024Shakespeares Sublime Pathos: Person, Audience, Language breaks new ground in providing a sustained, demystifying treatment of its subject and looking for answers to basic quest…

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Bogdetaljer
Forlag Taylor & Francis Ltd
Kategori Klassiske skuespil før 20. århundrede
ISBN-13 9781032017952
EAN 9781032017952
Format Hæftet
Sprog Engelsk
sider 238
Undertitel - Person, Audience, Language
Produktbeskrivelse
Winner of the AEDEAN "Enrique García Díez" Literature Research Award 2023Winner of the European Society for the Study of English Book Award 2024Shakespeares Sublime Pathos: Person, Audience, Language breaks new ground in providing a sustained, demystifying treatment of its subject and looking for answers to basic questions regarding the creation, experience, aesthetics and philosophy of Shakespearean sublimity. More specifically, it explores how Shakespeare generates experiences of sublime pathos, for which audiences have been prepared by the sublime ethos described in the companion volume, Shakespeares Sublime Ethos. To do so, it examines Shakespeares model of mutualistic character, in which "entangled" language brokers a psychic communion between fictive persons and real-life audiences and readers. In the process, Sublime Critical platitudes regarding Shakespeares liberating ambiguity and invention of the human are challenged, while the sympathetic imagination is reinstated as the linchpin of the playwrights sublime effects. As the argument develops, the Shakespearean sublime emerges as an emotional state of vulnerable exhilaration leading to an ethically uplifting openness towards others and an epistemologically bracing awareness of human unknowability. Taken together, Shakespeares Sublime Pathos and Shakespeares Sublime Ethos show how Shakespearean drama integrates matter and spirit on hierarchical planes of cognition and argue that, ultimately, his is an immanent sublimity of the here-and-now enfolding a transcendence which may be imagined, simulated or evoked, but never achieved.

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