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Klassiske skuespil før 20. århundrede

Shakespeare's Sublime Ethos

Matter, Stage, Form

Udgivet af Taylor & Francis Ltd

Bogdetaljer

  • Hæftet
  • 260 sider
  • Engelsk
ISBN 9781032018157
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Winner of the AEDEAN "Enrique García Díez" Literature Research Award 2023Winner of the European Society for the Study of English Book Award 2024Shakespeares Sublime Ethos: Matter, Stage, Form breaks new ground in providing a sustained, demystifying treatment of its subject and looking for answers to basic questions reg…

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Bogdetaljer
Forlag Taylor & Francis Ltd
Kategori Klassiske skuespil før 20. århundrede
ISBN-13 9781032018157
EAN 9781032018157
Format Hæftet
Sprog Engelsk
sider 260
Undertitel - Matter, Stage, Form
Produktbeskrivelse
Winner of the AEDEAN "Enrique García Díez" Literature Research Award 2023Winner of the European Society for the Study of English Book Award 2024Shakespeares Sublime Ethos: Matter, Stage, Form breaks new ground in providing a sustained, demystifying treatment of its subject and looking for answers to basic questions regarding the creation, experience, aesthetics and philosophy of Shakespearean sublimity. More specifically, it explores how Shakespeare generates a sublime mood or ethos which predisposes audiences intellectually and emotionally for the full experience of sublime pathos, explored in the companion volume, Shakespeares Sublime Pathos. To do so, it examines Shakespeares invention of sublime matter, his exploitation of the special characteristics of the Elizabethan stage, and his dramaturgical and formal simulacra of absolute space and time. In the process, it considers Shakespeares conception of the universe and mans place in it and uncovers the epistemological and existential implications of key aspects of his art. As the argument unfolds, a case is made for a transhistorically baroque Shakespeare whose "bastard art" enables the dramatic restoration of an original innocence where ignorance really is bliss. Taken together, Shakespeares Sublime Ethos and Shakespeares Sublime Pathos show how Shakespearean drama integrates matter and spirit on hierarchical planes of cognition and argue that, ultimately, his is an immanent sublimity of the here-and-now enfolding a transcendence which may be imagined, simulated or evoked, but never achieved.

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