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Shakespeare's Sublime Ethos
Matter, Stage, Form
Udgivet af Taylor & Francis Ltd
ISBN
9781032018157
Om denne bog
Winner of the AEDEAN "Enrique García Díez" Literature Research Award 2023Winner of the European Society for the Study of English Book Award 2024Shakespeares Sublime Ethos: Matter, Stage, Form breaks new ground in providing a sustained, demystifying treatment of its subject and looking for answers to basic questions reg…
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Bogdetaljer
Forfatter
Jonathan P. A. Sell
Forlag
Taylor & Francis Ltd
Kategori
Klassiske skuespil før 20. århundrede
ISBN-13
9781032018157
EAN
9781032018157
Format
Hæftet
Sprog
Engelsk
sider
260
Undertitel
- Matter, Stage, Form
Produktbeskrivelse
Winner of the AEDEAN "Enrique García Díez" Literature Research Award 2023Winner of the European Society for the Study of English Book Award 2024Shakespeares Sublime Ethos: Matter, Stage, Form breaks new ground in providing a sustained, demystifying treatment of its subject and looking for answers to basic questions regarding the creation, experience, aesthetics and philosophy of Shakespearean sublimity. More specifically, it explores how Shakespeare generates a sublime mood or ethos which predisposes audiences intellectually and emotionally for the full experience of sublime pathos, explored in the companion volume, Shakespeares Sublime Pathos. To do so, it examines Shakespeares invention of sublime matter, his exploitation of the special characteristics of the Elizabethan stage, and his dramaturgical and formal simulacra of absolute space and time. In the process, it considers Shakespeares conception of the universe and mans place in it and uncovers the epistemological and existential implications of key aspects of his art. As the argument unfolds, a case is made for a transhistorically baroque Shakespeare whose "bastard art" enables the dramatic restoration of an original innocence where ignorance really is bliss. Taken together, Shakespeares Sublime Ethos and Shakespeares Sublime Pathos show how Shakespearean drama integrates matter and spirit on hierarchical planes of cognition and argue that, ultimately, his is an immanent sublimity of the here-and-now enfolding a transcendence which may be imagined, simulated or evoked, but never achieved.
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