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Rachel Zerihan
The Cultural Politics of One-to-One Performance
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Richard Neuse
Chaucer's Dante
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Jon Venn
Madness in Contemporary British Theatre
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Jane Hwang Degenhardt
Globalizing Fortune on The Early Modern Stage
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David L. Hirst
Tragicomedy
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Meredith Henne Baker
The Richmond Theater Fire
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Essays on the Eighteenth-Century English Stage
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Rebecca K. Hammonds
,
Chrystyna M. Dail
,
Angela K. Ahlgren
,
Jane Barnette
,
Lindsey Mantoan
,
Odai Johnson
,
David Bisaha
,
Lisa Jackson-Schebetta
,
Jessica Ann Holt
Theatre History Studies 2021, Volume 40
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Cedric Ploix
Translating Moliere for the English-speaking Stage
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Henrik Steen Larsen
,
Robert Parr
,
Michael Ramløse
,
Bennyé D. Austring
,
Beth Juncker
TEATER FOR BØRN OG UNGE 1972 - 2022 FAIR PLAY
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The Brecht Yearbook / Das Brecht-Jahrbuch 48
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Estado Vegetal
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Lizzie Ballinger
Trish Arnold
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Eric Bentley
The Theatre of Commitment
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Redefining Theatre Communities
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Cristiano Leone
Atlas of Performing Culture
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Maria Del Sapio Garbero
Shakespeare’s Ruins and Myth of Rome
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Brid Phillips
Shakespeare and Emotional Expression
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Hannah August
Playbooks and their Readers in Early Modern England
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Sharon Bridgforth
,
Daniel Alexander Jones
Sharon Bridgforth & Daniel Alexander Jones: A Conversation
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Carol Strong
The Dissident Politics in Vaclav Havel’s Vanek Plays
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Thomas S. Hischak
Broadway Decoded
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Peter Filichia
Brainteasers for Broadway Geniuses
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The Crooked Mirror
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Anthony Neilson
The Wonderful World of Dissocia
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Rita Kogler Carver
Stagecraft Fundamentals
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Disseminating Shakespeare in the Nordic Countries
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Shakespeare and Social Engagement
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Katherine Steele Brokaw
Shakespeare and Community Performance
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William Electric Black
Gunplays
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