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Title Sequences as Paratexts

Narrative Anticipation and Recapitulation

Udgivet af Taylor & Francis Ltd

Bogdetaljer

  • Hæftet
  • 176 sider
  • Engelsk
ISBN 9780367892371
Om denne bog

In his third book on the semiotics of title sequences, Title Sequences as Paratexts, theorist Michael Betancourt offers an analysis of the relationship between the title sequence and its primary textthe narrative whose production the titles credit. Using a wealth of examples drawn from across film historyranging from W…

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Bogdetaljer
Forfatter Michael Betancourt
Forlag Taylor & Francis Ltd
Kategori Medievidenskab
ISBN-13 9780367892371
EAN 9780367892371
Format Hæftet
Sprog Engelsk
sider 176
Undertitel - Narrative Anticipation and Recapitulation
Produktbeskrivelse
In his third book on the semiotics of title sequences, Title Sequences as Paratexts, theorist Michael Betancourt offers an analysis of the relationship between the title sequence and its primary textthe narrative whose production the titles credit. Using a wealth of examples drawn from across film historyranging from White Zombie (1931), Citizen Kane (1940) and Bullitt (1968) to Prince of Darkness (1987), Mission: Impossible (1996), Sucker Punch (2011) and Guardians of the Galaxy, Vol. 2 (2017)Betancourt develops an understanding of how the audience interprets title sequences as instances of paranarrative, simultaneously engaging them as both narrative exposition and as credits for the production. This theory of cinematic paratexts, while focused on the title sequence, has application to trailers, commercials, and other media as well.

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