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Index on Censorship

Complicity: Why and when we choose to censor ourselves and give away our privacy

Udgivet af SAGE Publications Ltd

Bogdetaljer

  • Hæftet
  • 106 sider
  • Engelsk
ISBN 9781529741353
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The Spring 2020 issue of Index on Censorship magazine looks at our own role in free speech violations. In this issue we talk to Swedish people who are willingly having microchips inserted under their skin. Noelle Mateer writes about living in China as her neighbours, and her landlord, embraced video surveillance camera…

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Bogdetaljer
Forlag SAGE Publications Ltd
Kategori Nyhedsmedier og journalistik
ISBN-13 9781529741353
EAN 9781529741353
Format Hæftet
Sprog Engelsk
sider 106
Undertitel - Complicity: Why and when we choose to censor ourselves and give away our privacy
Produktbeskrivelse
The Spring 2020 issue of Index on Censorship magazine looks at our own role in free speech violations. In this issue we talk to Swedish people who are willingly having microchips inserted under their skin. Noelle Mateer writes about living in China as her neighbours, and her landlord, embraced video surveillance cameras. The historian Tom Holland highlights the best examples from the past of people willing to self-censor. Jemimah Steinfeld discusses holding back from difficult conversations at the dinner table, alongside interviewing Helen Lewis on one of the most heated conversations of today. And Steven Borowiec asks why a North Korean is protesting against the current South Korean government. Plus Mark Frary tests the popular apps to see how much data you are knowingly ? or unknowingly ? giving away. In our In Focus section, we sit down with different generations of people from Turkey and China and discuss with them what they can and cannot talk about today compared to the past. We also look at how as world demand for cocaine grows, journalists in Colombia are increasingly under threat. Finally, is internet browsing biased against LBGTQ stories? A special Index investigation. Our culture section contains an exclusive short story from Libyan writer Najwa Bin Shatwan about an author changing her story to people please, as well as stories from Argentina and Bangladesh.

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